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Natural Dye & Organic Watercolor Workshop @Santa Monica

  • ARTime Barro 302 Pico Boulevard Santa Monica, CA, 90405 United States (map)

Natural Dye & Organic Watercolor Workshop

One-Day Intensive with Zapotec Textile Artist Anais Adelina Ruiz ARTime BARRO — Santa Monica, California

Rediscover the heritage of natural color through a one-day, hands-on workshop rooted in tradition, material, and process.

Join us at ARTime BARRO Santa Monica for an immersive natural dye experience focused on merino wool dyeing and the creation of handmade organic watercolors. Led by Zapotec weaver and natural dye artisan Anais Adelina Ruiz, this workshop offers a rare opportunity to learn directly from a practicing artisan whose work is grounded in generations of knowledge from Oaxaca, Mexico.

This is a condensed, high-impact experience designed to introduce you to the full natural dye process in a single day—without sacrificing depth, intention, or cultural context.

About the Workshop

This Natural Dye & Organic Watercolor Workshop is a 7-hour, hands-on intensive designed for artists, designers, educators, and curious beginners interested in sustainable textile practices and traditional dyeing techniques.

Participants will work directly with plant-based, mineral, and insect-derived dyes, learning how raw materials transform into rich, living color.

Each stage of the process—preparation, mordanting, dyeing, and finishing—is demonstrated and practiced, giving participants a complete and foundational understanding of natural dye techniques in an accessible format.

Rooted in Zapotec textile traditions from Oaxaca, Mexico, this workshop emphasizes slow-making, material awareness, and the beauty of variation found in naturally dyed fiber.

What to Expect: A One-Day Natural Dye Experience

This workshop is designed to be immersive, supportive, and beginner-friendly.

Over the course of one day, participants will be guided step-by-step through the essential stages of natural dyeing while working hands-on with merino wool and organic pigments.

During this workshop, you will:

  • Learn how natural dyes are sourced from plants, insects, and minerals

  • Prepare and mordant merino wool to properly absorb color

  • Observe how fiber, water, and heat interact during the dyeing process

  • Dye wool using traditional Zapotec techniques, creating layered and nuanced tones

  • Understand why natural dyes vary and how to work with those variations

  • Create handmade organic watercolor pigments from natural materials

  • Learn how to apply these techniques to future textile or art projects

Instruction is hands-on and process-focused. Anais demonstrates each step before guiding participants through their own work, allowing time for experimentation, observation, and questions.

What You’ll Leave With

By the end of the workshop, participants will leave with:

  • Naturally dyed merino wool samples

  • Handmade organic watercolor pigments

  • A foundational understanding of natural dye processes

  • Practical skills you can apply to future creative projects

  • A deeper appreciation for slow craft and cultural heritage

This workshop emphasizes learning through doing—not perfection. Each result will be unique.

Why This Workshop Is Different

This is not a synthetic dye class or a casual craft activity.

This experience is rooted in living Zapotec textile traditions, taught by an artisan who actively practices these methods in her work in Oaxaca, Mexico.

Participants learn not only how to dye, but why these techniques matter—culturally, environmentally, and artistically.

The focus is on:

  • Sustainability over speed

  • Process over mass production

  • Cultural respect over trend-based making

Workshop Objective: Natural Color as Cultural Heritage

The goal of this workshop is to reconnect participants with the origins of color—from land to fiber—while honoring the cultural knowledge behind natural dyeing practices.

Participants will:

  • Practice traditional Zapotec dyeing methods

  • Dye merino wool using plant, mineral, and insect pigments

  • Understand how environment and materials influence color outcomes

  • Create handmade organic watercolors

  • Explore texture, irregularity, and variation as essential qualities of natural dye

  • Apply sustainable, slow-making techniques to their own work

Natural Materials Explored

Participants will work with traditional dye materials, including:

  • Merino Wool (Lana Merino)

  • Alum (Alumbre)

  • Indigo

  • Cochineal

Each material is explored for its preparation, dye behavior, and cultural significance.

Meet the Instructor

Anais Adelina Ruiz

Anais Adelina Ruiz is a Zapotec weaver and natural dye instructor with over 10 years of experience creating handwoven wool textiles (tapetes) using ancestral techniques from Teotitlán del Valle, Oaxaca, Mexico.

Her work is deeply connected to landscape—often dyed outdoors using natural materials gathered from the environment. The resulting textiles reflect subtle variations in tone, texture, and movement.

Her work has been exhibited in galleries and showrooms throughout Mexico and internationally, including the Witte Museum in San Antonio, Texas.

Who This Workshop Is For

This workshop is ideal for:

  • Textile and fiber artists

  • Designers and interior creatives

  • Painters interested in organic watercolor

  • Educators and cultural practitioners

  • Beginners curious about natural dyes and sustainable practices

No prior experience is required.

Workshop Details & Pricing

One-Day Natural Dye Intensive

Price:
$290

Total Duration:
7 hours

Date:
May 9, 2026

Schedule:
10:00 AM – 5:00 PM
(Includes a 1-hour break)

Location:
ARTime BARRO
Santa Monica, California

Materials:
All materials included

Experience Level:
Beginner-friendly — no prior dyeing experience required

Reserve Your Spot

Space is limited to maintain an intimate, hands-on experience.

Join us at ARTime BARRO Santa Monica for a rare opportunity to learn natural dyeing directly from a Zapotec artisan and experience color as something grown, gathered, and remembered.


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